2024 “Jisun Myung: Living Histories,” Southwest Contemporary
2024 “Anne Yoncha: Living Histories,” Southwest Contemporary
2023 “Ronald Rael Constructs an Architecture of the Borderlands with 3D-Printed Adobe and Regional Histories,” Southwest Contemporary
2023 “The Crestone Ziggurat: An Idiosyncratic Monument Among an Epic Landscape,” Southwest Contemporary
2023 “The Broom of the System: Trey Duvall’s RETURN/SWEEP at RULE Gallery,” Southwest Contemporary
2023 “Ariel Wood Artist Profile,” Southwest Contemporary
2023 “Narong Tintamusik Artist Profile,” Southwest Contemporary
2023 “Work in Progress with Ben Coleman,” Southwest Contemporary
2023 “Three Ways of Walking Walter De Maria’s The Lightning Field,” Southwest Contemporary
2023 “Work in Progress with Ramón Bonilla,” Southwest Contemporary
2023 “Public Art That’s Not a Bummer: A Round-Up of Denver’s Linger-Worthy Outdoor Artworks,“ Southwest Contemporary
2023 “Zuyva Sevilla: 12 New Mexico Artists to Know Now 2023,“ Southwest Contemporary
2023 “Hernan Gomez Chavez: 12 New Mexico Artists to Know Now 2023,“ Southwest Contemporary
2023 “Kirsten Angerbauer: 12 New Mexico Artists to Know Now 2023,“ Southwest Contemporary
2023 “The Queer Dynamics of Paolo Arao’s Selection of Recent Works,“ Southwest Contemporary
2023 “Resnick Center for Herbert Bayer Studies Preserves Monumental Works by Bauhaus-Affiliated Polymath,” Southwest Contemporary
2023 “A Hopscotch of the Mind Skips Through the Varied Visual Vocabulary of Hervé Télémaque,” Southwest Contemporary
2023 “Gabriel Martinez: Finding Water in the West,” Southwest Contemporary
2023 “Chrissie Orr: Finding Water in the West,” Southwest Contemporary
2023 “Renaissance Portraiture Revamped in Kiah Butcher: Still Theater at Lane Meyer Projects,” Southwest Contemporary
2023 “Works in Progress with Mario Zoots,” Southwest Contemporary
2022 “New Media Leader Denver Digerati Looks Towards an Educational and Local Community Focused Future,” Southwest Contemporary
2022 “Whose Bodies? Authorship and Control in Anuar Maauad’s WE ARE BODIES,” Southwest Contemporary
2022 “Anthony Garcia Sr.’s Serape-Influence Murals,” Southwest Contemporary
2022 “While We Wait for the Ocean,” Tilt West
2022 “Caroline Liu: 12 New Mexico Artists to Know Now 2022,” Southwest Contemporary
2022 “Welly Fletcher: 12 New Mexico Artists To Know Now 2022,” Southwest Contemporary
2022 “Jen Pack: 12 Artists to Know Now 2022,” Southwest Contemporary
2022 “‘Being born is just plagiarizing your parents’: An Interview with Good Actors Author Sommer Browning,” Southwest Contemporary
2022 “Jae Ko: New Works at Robischon Gallery,” Southwest Contemporary
2022 “The Fuzzy Knowledge of Mythic Space at the Agnes Martin Gallery,” Southwest Contemporary
2022 “Work In-Progress with Jeremy Thomas,” Southwest Contemporary
2022 “Work In-Progress with Pard Morrison,” Southwest Contemporary
2022 “Indelible Materials: Polyethlyene, Petroleum, & Chandler’s Everlasting,” Southwest Contemporary
2022 “A Studio Visit with Denver Artist Michael Gadlin,” Southwest Contemporary
2022 “Work In-Progress with Sammy Seung-Min Lee,” Southwest Contemporary
2021 “The Secret Secretes: On Robert Burnier’s Song Cycle,” Southwest Contemporary
2021 “Studio Visit with Trey Duvall,” Southwest Contemporary
2021 “I Want to Weave My Own Narrative: A Studio Visit with Suchitra Mattai,” Southwest Contemporary
2021 “Studio Visit with Derek Velasquez,” Southwest Contemporary
2021 “Contingency, Environment, and Illumination: On Patrick Marold’s The Windmill Project,” Southwest Contemporary
2021 “A SOLUTION OF KINETIC INFINITY: On Cerith Wyn Evans’ Aspen Drift & Paul Klee’s Line,” Southwest Contemporary
2021 “‘Round the decay’: On Eileen Roscina’s Like Tears Washed Away By Water,” Southwest Contemporary
2021 “The Total Absurdity of Tubes: On Laura Shill’s Future Self Storage,” Southwest Contemporary
2021 “Here was Gretta, There was Untitled: Aesthetics, Names, & Fates,” Entropy Magazine
2021 “Pull These Flamboyant Patterns: Joseph Coniff’s Panel Compositions,” The New Collection
2021 “Jessie Laura: I Create My Own Restrictions,” The New Collection
2021 “Senga Nengudi: Topologies,” Southwest Contemporary
2021 “Send Me Blue Reports from the Field: 44 Propositions on Gabriel de la Mora’s 900 VII,” The New Collection
2021 “Motion & Mess: On Diego Rodriguez-Warner’s Horro Vacui,” Southwest Contemporary
2021 “Supplemental Meditations: Marginalia & Kensuke Koike’s Big Beach,” The New Collection
2021 “Mutable & Elusive: Power of the Unperson,” The New Collection
2020 “In Absence of the Word, the Word Remains: On Joel Swanson’s Pink Erasers,” Entropy Magazine
2019 “AMERIKA: On Jorge Méndez Blake’s ‘Big, Beautiful, Wall’,” Entropy Magazine
2018 “Urban Aggregate: Aesthetic Interventions in the City,” Entropy Magazine
2018 “There is No Neutral Space: at Home with Rodriguez-Warner’s ‘Untitled’,” Entropy Magazine
2018 “Other Narratives, Other Histories: On Suchitra Mattai’s ‘Sweet Asylum’,” Entropy Magazine
2018 “Notes from Saint Louis, MO: Part I,” Entropy Magazine
2017 “Urban Augmentations: The Politics of Non-Aesthetic Additives in the Work of Shantell Martin,” Entropy Magazine
2017 “Materiality and the ImageText: on Mitchell, Young, and Herritt,” Entropy Magazine
2017 “Our Selfies will not Save Us: On Shill and Debord’s Separation Perfected,” Entropy Magazine
2017 “Eduardo Portillo: FRONTERA @ RULE Gallery,” Entropy Magazine